Writing In More Than One Sub-genre

My first introduction to romance novels when I was a teen was through historical romances written by Kathleen Woodiwiss, Shirlee Busbee, Johanna Lindsey, Jude Devereaux. So when I decided to try my hand a writing the type of book I loved to read, it was only natural to write historicals. 

When I first started writing, I can't tell you how many times it was impressed upon me to pick a sub-grenre of Romance and stick with it. It didn't matter that I had ideas for stories that easily fell into paranormal, suspense, contemporary, or historical categories. I was told time and again I would lose readers if I jumped from one sub-genre to another. Pick the one I loved best and write those types of books. 

For a long time that's what I did, but then other characters started populating my head, telling me their stories that would in no way fall into the historical romance realm. I've written one contemporary, am finishing a second, and have jotted a good number of notes on a third. While I love writing in the modern era, I still love writing historicals too. In fact I hope to start writing Finch's story soon. (Finch is a secondary character in An Unexpected Gift.) 

Then I start thinking about that "rule" again and wonder if I'm doing the right thing. But then I think about writers such as Maya Banks who writes historical, suspense, and erotica. While I don't consider myself in the same league, she's a great example of being successful in multiple sub-genres. 

As a reader and/or writer, how do you feel about authors who write in multiple sub-genres of romance? Like it? Don't? Why?

Never Say Never

I met a fellow writer yesterday for coffee and after bemoaning the current states of our works in progress we started talking about all the "rules" we were told had to be followed if we ever hoped to become published. The funny thing is nearly all of these rules have been broken and some of them by the best writers in the Romance industry.

Here are a few of the more prominent "Rules" we were told were never to be broken. These words were always delivered in an authoritative, "you're going to kill your writing career before it gets started if you even think about breaking these rules" tone of voice.

• Never use a hero that plays professional sports.  This goes hand in hand with the rule that your hero should never be a professional musician, artist, or actor.  (I guess no one ever told Susan Elizabeth Phillips (SEP) this rule. She writes some of the best sports playing heroes out there. One of my favorite books is Nobody's Baby But Mine written by SEP. The hero, Cal Bonner, is a professional football player.)

• Never write in sentence fragments.  My reaction to this statement was, "huh?" We all want to write realistic dialogue. If you listen to people when they speak, they don't always speak in complete sentences. I know I don't. 

• Never write using first-person point of view.  (I guess no one told Kristan Higgins or Janet Evanovich this rule. Kristan Higgins writes some of the best first person romance novels out there. And while Janet Evanovich's Stephanie Plum series isn't technically romance, there is the romantic triangle between Stephanie, Joe, and Ranger in every one of her books.) I will admit I tried writing in the first-person. It was hard. I kept wanting to go into the hero's point of view.

• Never head hop or jump from one character's point of view (POV) to another's to another's and back again. I have to agree with this rule. It drives me crazy when I'm in the heroine's POV and then I'm in the hero's, then I'm in the villain's and then I'm back in the heroine's. I feel jumping POVs all the time creates distance between the reader and the hero/heroine. (Of course, Nora Roberts is well known for head hopping but if you can do it as well as she does, I say go for it.)

So in my experience, I've learned to never say the word never when asked about writing advice. If you need to break a rule to tell the best possible story you can tell, then make sure you do it well. I'd love to hear anyone else's rules they were told should never be broken.